Learn on a working stage.

Intermediate

Sep 19, 202614h8 of 8

Two days in the grading suite: node structure, primaries and secondaries, and building a look that survives delivery. Graded on a calibrated projection wall rather than a laptop screen.

Intermediate

Sep 25, 202624h10 of 10

A three-day intensive on shaping light with what you actually have — one source, a bounce, and a flag before anything else gets switched on. Heavy on practical exercises against both cyc walls.

Beginner

Oct 6, 202618h12 of 12

Six evenings on the fundamentals: exposure, lens choice, and how light shapes a face. Taught on the stages with working cinema bodies, so you leave having actually lit something rather than watched someone else do it.

Advanced

Oct 8, 202615h8 of 8

Five weeks cutting a scene every session, then defending the choices. For editors who can already operate and want to argue about structure rather than shortcuts.

Intermediate

Oct 14, 202612h10 of 10

Four weeks on the part of directing that has nothing to do with equipment: reading a scene, giving an actor something playable, and knowing when you already have it. Works on the standing set with visiting performers.

Beginner

Nov 14, 202614h8 of 8

Two days on capturing dialogue that does not need saving in post — mic placement, room treatment, and running a boom — followed by an ADR session in the booth to hear the difference.